Thomas Eakins rejected idealization and developed a sober, scientifically observant painting style, especially in his portraits. He strove to depict his subjects as people "whose faces tell their lifelong story."

This goal is evident in Eakins' unflinchingly direct portrait of his wife, the artist Susan McDowell Eakins (1851-1938). Painted during a period when he was accused of personal misconduct, the portrait is completely unsentimental but captures her still reserve and inner strength.

Courtesy of the Hirshhorn Museum and Sculpture Garden, gift of Joseph H. Hirshhorn, 1972.